We were waiting for the train in Venice
after a winter week sipping Giudecca
at the Calcina?
I can’t recall.
I wrote a story at that window
framing Chiesa del Santissimo Redentore,
or Chiesa San Giorgio Maggiore,
a story starting
an opera ending
with a woman, singing
while Venice ends,
and Mestre ends
Lido ends,
and she, singing,
ends, falling
while sighing
into a filthy canal.
We were waiting for a train in Venice
After a winter week sipping Giudecca,
At the Calcina?
I can’t recall.
Murano sparkled,
glass chandeliers,
glass figurines,
glass shops,
with glass things
that just catch dust,
the glass museum,
glass dumpsters,
overflowing colors
from before time:
I heard an English voice
say “look at how pretty…oh…
it’s a skip!”
But it is pretty,
this mountain
glittering color,
and it was a skip, and a hop,
and a jump,
from Giudecca
to Murano.
And, there is a cemetery.
I ran my camera,
along narrow
Venice streets and closes,
acqua alta splashing,
bouncing on planks,
stretched brick to brick,
spotting sandbagged doors,
shutter clicking
I ran without aim,
before leaning palazzos
over tiny canal bridges,
I want to remember
the couple bickering,
is a child’s school
a place for learning,
or a madhouse,
the silhouette
an elderly couple make
strolling under
an ancient archway.
Then we waited for a train in Venice
After a winter week watching Giudecca,
At the Calcina?
I can’t recall.
A vaporetto conversation
about snow returned,
as it slanted downward,
a veil for Santa Lucia,
we waited,
and we waited,
watching the old-fashioned monitor
slowly flick destinations
upward until
our destination was lost
in the sky
and falling snow still fell.
I knew this opera
was nearly over,
its tragic beauty
veiled in Venetian snow,
while the lady’s song
reached crescendo.
We were waiting, the train from Venice
was very late, snow was falling
after a winter week of sun and Giudecca,
at Pensione Calcina?
I can’t recall.
No comments:
Post a Comment